

Be sure not to miss this exhibition opening 8 March in Karlskoga, province of Värmland, Sweden. You have already been provided with details here. From the preview I get a feeling that this event will be a great one. Good luck Markus!
The camera is an instrument that teaches people how to see without a camera / Dorothea Lange
Photo© Rosita Borum, Rättvik
photo: Jeanne Wells
Zoriah is sensible, but frank photojournalist, who shows the world where sensibility seemed to be killed. He is associating human calamities around the world, showing in his pictures everything what comes with wars and disasters – the cruelty and nonsense of wars, suffering people with their wounds, but also growing hope, faith, emotions and strength. With his seemingly detached eye he delivers us complete one big picture made out of thousands individual pictures.
Zoriah was initially trained in Disaster Management and Humanitarian Aid to Developing Countries, he worked for international aid organizations such as the Red Cross before returning to photography after a long absence.
His work first won critical acclaim in the early 1990's when his photo series on homeless life in America was selected to tour the country in the Songs of The People project. He was also named Photojournalist of The Year in 2006 by Morepraxis and he won VII Photo Agency Portfolio Contest. He was among the photographers in World Picture News Networks Most Powerful Imagery of 2006.
His images of conflict in Iraq, Afghanistan, The Gaza Strip and Lebanon have been widely published and have traveled to many countries around the world in museums and fine art galleries.
Zoriah specializes in documenting humanitarian crises in third world countries. He has photographed disasters, critical social issues and conflict in over forty countries around the world and his work has been published in newspapers and magazines such as Newsweek, Wall Street Journal, BBC, Fortune, Focus, L'Express and many others. Half of his time is devoted to doing pro bono work for aid and humanitarian organizations.
At my local Turkish lunch restaurant, there are about 20 photos hanging on the wall. They fascinate me, since they apparently are from around 1890 or so. I have no idea if they are tintypes, postcards or what. But they always get my attention, so I photographed one of them for you all to judge. Perhaps there are some experts out there who know more about these old photographs?/Ulf
Dembel Jumpora-Eyes-Adema Balde washes near her family's rice fields in the village of Dembel Jumpora located in the West African country of Guinea Bissua. She died as a teenager later that year after trying to escape an arranged marriage.
Alio Balde scrubs his body in front of the touffe, a place where bricks for the huts were originally made which had filled up with water. The end of the rainy season is the richest time of year when time to escape the daily chores is more readily available in the remote village of Dembel Jumpoa in the West African country of Guinea Bissau.
Dembel Jumpora-Dinner-Children eat the staple diet of rice from a communal bowl. During the end of the dry season, there is little to eat and many villagers will have only one meal of rice each day.
Boys play soccer underneath an enormous Bontang tree. Though the Fulani are a Muslim tribe, they also believe that this tree has a spirit. This mixture of animist beliefs and Islamic law creates a society which has a great respect for the land around them, the supernatural world and the laws of God.more of Ami's works you will find on her web site.
all pictures ©Ami Vitale
/invited by Marcin Górski/
This is the final test of the very rare Ülmercott Dr.t2 lens. You see the stairs leading down and a shady part of the wall in this picture taken with the good old ülmer. If I blow up the picture there will be some street art visible.
Farmer cutting his brother's hair, near Caruthersville, Missouri.
Photo: Helena Nilsson





Photographer: Łukasz Kuś