grass is already painted green, army - almost ready and youngest citizens are training throwing carrots to Nurse Rabbit. All of the Scandinavian (and Polish) carrots are stored for the right time - children are forced to train with potatoes.
I am glad to have Svend here on the F Blog. He is a great photographer. And hey Svend...there are big white ships leaving for Stockholm every day. Hope to see you around.invited by ulf fågelhammar
In my earliest memory, I am making a picture. I’m perhaps five years old. Sitting in my little chair, hunched over my little table, I’m drawing with crayons on a piece of foolscap and I am delighted with myself. The room is sunny, warm. My drawing is sunny, warm. I love the sensation of the crayon sliding over the paper, leaving a trail of itself under my imperfect control.
I’m 39 now and nothing has changed. Some years ago I borrowed my father’s old Leica, which he had bought brand new in Copenhagen in 1956 – thanks to a friend of his, a press photographer, who acquired the camera for him at a steep discount. (“Otherwise, forget it! Too damn expensive!” was how my father punctuated the story.) I thought that since my father wasn’t using the old camera (he couldn’t see to focus anymore) I’d give it a try, fool around with it, see what happened. Thank God I did. The old Leica opened the door into my visual imagination, a door that had been closed for too long with depressing consequences.
I love to see and think photographically, imagining how something will look when photographed. I am gaining greater and greater control over the medium all the time, and yet accidents still happen and I welcome the magic they bring. Increasingly, I am thinking about themes, stories and ideas and how to express them visually with photography as just one picture-making tool in a toolbox containing drawing, painting, graphic design and computer programs. I have no objective, really, other than pleasing myself. I’m still five years old, sitting in my little chair, hunched over my little table, drawing with my crayons on a piece of foolscap.
Titles from top: - St Tropez frolics - What is creativity? (1) - What is creativity? (2) - What is creativity? (3) - What is creativity? (4) - The solitary cyclist - Night field
(This exclusive presentation of works by Angèle Etoundi Essamba is published on the F Blog in two parts - see part one.)
The works of the years 2000, within I am still moving and experimenting. Started with the series “Noirs”, I have taken a new direction in terms of both style and content.In blown-up,sober photographs of black people against a black background, there is almost no white to be seen except in the black self.( white of the eye, palm hand ) Symbols and accessories have been left to one side.Choosing for restriction and minimalism, I tried to expose the relationship between the subjects’s interior and exterior, to represent black identity from the inside out.
Communication in the broadest sense: “Beyond words”.Gestures have a dominant place in my work. My images show a dialogue between humans, shape and content, body and soul, Africa and the world: deep black and white graphic compositions that offer a timeless visualisation of universal symbols and wisdom.
Pictures from top: Noir(1) Noir(2) Rupture Speechless Au-dela` des mots
awake on my airplane. my skin is bare. my skin is theirs. and i feel like a newborn. awake on my airplane. i feel so real.i don't believe in your sanctity... a hypocrisy. could everyone agree that no one should be left alone. could everyoone agree that they should not be left alone. and i feel like a newborn. kicking and screaming! could you take my picture? cuz i won't remember... / filter
The F blog invites you to explore the photography of Angèle Etoundi Essamba. She has rapidly become one of my favourite photographers. The pictures here are selected by Angèle exclusively for The F Blog. My warmest regards to you Angèle. invited by ulf fågelhammar
On May 12 the exhibition "Pride and Strength" will open at Kulturhuset in Stockholm. The works of Angèle Etoundi Essamba will be on show until August 5. Be sure not to miss it! Also visit www.essamba-art.com to find more of her work.
Photography has a universal language which speaks across all barriers It is for me a need, to express, to communicate,to question and to protest. As long as the need will exist I will create.
Dialogue and symbols
My work has always been about dialogue.The internal dialogue within myself between different cultures gives my photographic work a simultaneous personal and universally symbolic character. My roots are in Cameroon, but the different cultural backgrounds into which I grew up have considerably influenced my life and my vision.I get my inspiration inside this cultural mix mainly dominated by my african heritage.
People fascinate me and so the human being became central in my work. I try to shape a world of unicity and meeting of forms, races and cultures, to show the existing dialogue between cultures. I also want to break through with the stereotypes of an african continent ravaged by war,misery,oppression or made of romantic myths of Mother Africa. Keywords to my photography are: Pride, Strength and Awareness, interaction, respect and openness.
Communication in the broadest sense: “Beyond words”.Gestures have a dominant place in my work. My images show a dialogue between humans, shape and content, body and soul, Africa and the world: deep black and white graphic compositions that offer a timeless visualisation of universal symbols and wisdom.
In my earlier work of the eighties (1980s), I mostly focused on contrasts between black and white. The theme "Contrast / Harmony " is an important issue in my photography, as a black woman living in a white world ,I have choosen to picture the world in black&white.
Otherness,identity/duality,modernity/tradition,mysticism/ reality... In the work of the nineties (1990s ), I turned my attention to a vocabulary of symbols. that refers to the human need for contact, pride, willpower and the self confidence of women, but also to their connection with the earth. Here in I emphase on the aesthetic and symbolism.
Pictures from top of post: - Heritage - L`arbre de la vie - La femme et l`objet - Roots - Symbole - La calebassiere
raindrops keep falling on my head. and just like the guy whose feet are too big for his bed. nothin' seems to fit. those raindrops are falling on my head, they keep falling.raindrops keep falling on my head. but that doesn't mean my eyes will soon be turnin' red. cryings not for me.'cause i'm never gonna stop the rain by complainin. because i'm free. nothings worrying me./bacharach / Gliwice 2007
When I look at these photos by Gustav, I come to think of a quote from a theatre play I recently saw in Göteborg, Sweden: "Don't ever do that again - or I will have to keep doing it for the rest of my life."
Pride and strength If you are in Stockholm this summer you should definitely visit Kulturhuset and explore the photography of Angèle Etoundi Essamba from Cameroon. Her exhibition opens on May 12 and will be on show until August 5.
You do shots with cold blood….when you know the result will be good and applauded ….and you do shots because your poor soul is melting… for one reason …or another…or for no reason...when you do …"poor shots"…! I would call the "poor shots"... Photography…!
text and pictures by Tatiana Bitir
See more pictures by tatiana under all invited guests, Canada or search the blog (up left)