The camera is an instrument that teaches people how to see without a camera / Dorothea Lange
Georg Oddner, a great Swedish photographer passed away yesterday at
the age of 83. He used to be a jazz musician, he worked with Avedon in
New York, he made films, he travelled the world and photographed it.
To me he was one of the best out there.
See some pictures here by Oddner
Yesterday I saw Roy Andersson's wonderful new movie "You, the living". I was depely affected by it, and on my way home this image I shot last winter came to my mind. 
Alexandra Kollontai, portrait, 1888.
"The paths pursued by women workers and bourgeois suffragettes have long since separated. There is too great a difference between the objectives that life has put before them. There is too great a contradiction between the interests of the woman worker and the lady proprietress, between the servant and her mistress... There are not and cannot be any points of contact, conciliation or convergence between them. "
More about Kollontai
Related story on The F Blog
”Perhaps a mind that is purely masculine cannot create, any more than a
mind that is purely feminine… It is fatal to be a man or woman pure and
simple; one must be woman-manly or man-womanly.”
Although I find Woolf´s reflection on creativity and its conditions
interesting and even thought-provoking, I don´t agree with it. I simply
don´t understand what it means to be purely masculine or purely
feminine. More than anything else, Woolf´s statement just seems out of
date, locked in time, reflecting opinions of an era long gone (1920:s).
Still, when looking at art, I often think of it in terms of being
feminine or masculine. But every time I try to put my finger on what it
is that makes a piece of art feminine or masculine, it slips away.
Ideas of typical feminine and masculine expressions, are tricky subject
areas in our times. Yes, we often speak of such things as “gender”,
“feminism” and “male chauvinism”. But thoughts of a persistent gender
based way of being (a true male and female spirit), maybe just isn´t
possible in a time when identities such as "man" and "woman" sometimes
are seen as merely “social constructions”.
When Sally Mann visited Stockholm in February 2007, she asked if we, the
audience, believed that there was something like a female, and male way
of expression. Of course no one dared to formulate a view. I wanted to
shout, “Yes there are! And you are one of the finest artist of our time,
and your works are great examples of the female spirit!”. But luckily I
did not. How stupid to say such a thing, and then not be able to explain
my thoughts in any way?
signed Jan Buse
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