29 January 2009
These are portraits of people who work in places, which are not seen at main streets in my city. You can find them on the backyards in the centre or in the suburbs. But these people and places where they work give the special atmosphere to Warsaw. The project is not finished, but I'd like to know what do you think about it.
photographer: Tomek Adamowicz
28 January 2009
Invited Guest: Roelof Bakker, 365 Days
365 Days is symptomatic of my serendipitous approach to image making - a collection of 365 postcard images, one for each day of a year, which I exhibited online, in my home and in book form. The project started as a new year's resolution with the aim to create a visual diary of my life in London and beyond. I could photograph whatever I wanted to record on a particular day - the only requirement I needed to fulfill was to take at least one photograph before midnight each and every day of the year. All selected photographs are labelled with the date, time, place, location and postcode and these details are an intricate part of the project.
Sarah Kent writes in her introductory essay 'Close Encounters' in the book of 365 Days: 'Roelof Bakker is not attempting some kind of philosophical resume, yet no matter whether you believe that your encounters and your very life are gifts from God, or merely the result of happenstance, 365 Days encourages you to ponder those moments that you didn't record and didn't even bother to experience fully...365 Days presents life as a series of fortuitous happenings - as beautiful as the chance encounter of a photographer and a broken umbrella in a London square - images, that seen together acquire an almost surreal intensity.'
Out of the 365 images, I have picked one photograph from each month of the year.
3 February, 10.44. Little Drummer Boy, Le Louvre, Paris, France (image 2)
12 March, 16.56. Strangers, bench, Hyde Park, W1 (image 3)
2 April, 17.21. Sign, The Perseverance, Pritchards Road, E2 (image 4)
28 May, 19.40. Johnny, men's ponds, Hampstead Heath, NW3 (image 5)
6 June, 18.24. Sticker, door, Hammersmith Road, W6 (image 6)
8 July, 08.03. Alive, bathroom, Rosebery Gardens, N8 (image 7)
2 August, 18.57. Icecream, Rosebery Gardens, N8 (image 8)
23 September, 11.31. Apple, footpath, Chapel Lane, Boxhill, Surrey (image 9)
19 October, 18.09. Bridge, Rembrandt Park, Amsterdam, Netherlands (image 10)
15 November, 15.29. Shoe, toilet, Griffin House, Hammersmith Road, W6 (image 11)
31 December, 11.19. Nick, life, Rijksmuseum, Schiphol Airport, Amsterdam, Netherlands (image 12)
At the moment I am planning an exhibition of a night time diary style photography project as well as finalising a work exploring aspects of death.
I love silent photography, pictures that doesn’t shout for your attention but humbly invites you to explore them for yourself. The works of Gothenburg-based photographer Mette Muhli is exactly that kind of photography. I’ve had a look in her wonderful artist’s book “nära hem-netoli namu", (wich translates to Close to home in English) and would like to share the experience with you. /markus
"alone and cold little town. sweet sweet melodies in my ears snow falling.
"nära hem-netoli namu" is a series of 54 photographs and an artists' book shot in the coastal town of Palanga, Lithuania, during the off-season period in 2006 when the photographer fell in love with the silent surroundings."
27 January 2009
25 January 2009
24 January 2009
22 January 2009
Fblog: For me “Living with a portrait" is a double attempt: artistic one and documentary one. Do you agree? What "documentary photography and "artist photography" means to you?
Fblog(joanna): thank you Jason for the e-talk.
Jason Lazarus "Jenny Holzer, over and over again (long exposure)" wright commission series 2007