A smaller splash.

a very humble tribute to Mr Hockney.

Invited guest: Joe White

Exteriors
The project looks at the concept of a passing sense of presence within a photograph, left buy a person(s) without physically having a human life in any image.

Interiors
My interiors are the documentation of student housing, capturing living rooms to convey the immediate past. By using this method I have created a frank and honest portrait of the students themselves.

photos by Joe White

flight

Aleksandra

Aleksandra is selling tango shoes from Argentina in her shop in Warsaw
by Tomek Adamowicz /previously in Fblog/

something for the F-blog

by mary c mitchell

Anna in Årsta

Chega de Saudade

Where are you Lotti?

There are things that are not that easy to explain.
Like Springsteen.
I normally don't like him very much.
I think he has become an american Lill-Babs.
He has become to popular, to mainstream, to kind for my taste.

But yet, when I listen to Rosalita from -73.
Then I forgot about those things.

Damn.

'Windows are for cheaters, chimneys for the poor
Closets are for hangers, winners use the door
So use it Rosie, that's what it's there for'

Has anyone said it better than that?

Ever?

Wool

happy B-Day Jeanne

exhibition: Identity Proofs - scene 2

Anyone who comes across Gliwice in April, please be welcome to visit the exhibition I'm opening tomorrow.

Identity Proofs – scene 2

Aneta Grzeszykowska / Joachim Schmid

Identity Proofs is a photographic exposition presenting works of artists dealing with the issue of identity. Four artists were invited to present individual projects at the Art ReadingRoom – new space created next to the Museum in Gliwice. In the first edition, which took place in March, we had a chance to see the works of Dita Pepe and Jerzy Lewczyński.

For the second edition, which will start on April 8^th, we invited a young Polish photographer, Aneta Grzeszykowska, and German artist-sociologist, Joachim Schmid.

The April exposition is supposed to focus the visitors’ attention on the problem of identity perceived through our ‘visual quality’, our personal appearance. Presented will be a series of illusional portraits of non-existent people by Aneta Grzeszykowska. Through digital manipulation of the image, the artist creates fake persons who are very convincing in their detailed appearance. This cycle will be juxtaposed with the work of Joachim Schmid’s, in which, as in most of his creation, he uses found photographs. Old, torn apart studio portraits – probably made for IDs’ – are organized in the way that produces new, double portraits. Combined features of two different people create a disturbing image of some new, unknown identity. Confronting the works of Schmid and Grzeszykowska should arise doubts and destroy our confidence in what and whom we actually see.

letf: Aneta Grzeszykowska, from the series "Untitled People",
rigth: Joachim Schmid, from the series "Photogenetic Drafts"

Bubo bubo

back to back.

how not to make a photograph? hey, watch your back!
http://fotoartaddict.blogspot.com when you enter gallery or a museum with a camera, i'll be after you.

baby blues.

meet Tadeusz and his father /reading 'baby blues', awesome comic, kind of survival guide for young parents/

Inbox: Susanne Willuhn

A while ago we got a mail from Susanne Willuhn with a link to her page with some wonderful photos. We're now proud to be able to show them to you. Enjoy!

"I am an autodidacte and began to take pictures a few years ago as way to express and explore myself.
When asked what my photography is about I usually don't know what to answer. Maybe it is because I don't have any special motives or themes.
For me my pictures are all about my personal daydreams, longings, the memories i like to hold or regain, reminiscences and so on.
My photographic approach is mostly intuitive. It's about the secrets of everyday life as it is in its authentic form, without arrangements or other alterations made for the pictures. I seek to show the potential ambiguity of everyday settings and the spirit of the people involved. Imaginary worlds and shifting moods are meant to become visible."

happy B'day Lina!

can't wait for some grrrrrrrrrrreen...

early spring in Darmstadt/xpro

about the Spring

There will be Spring

Invited guest: Chris Zedano

Chris Zedano: STAPLE STREET
It's a bit cliché, I suppose, to talk about New York City's "characters," but arriving here from South America years ago, I couldn't help but be struck by them -- and drawn to them, performers in particular.
I was also, of course, seduced by the city's landscape, especially a small, quiet, sliver in the heart of TriBeCa called Staple Street, which I came across quite by chance one day.

There’s something about Staple Street that I can’t explain with words. Maybe it’s the narrowness of the street, which makes me feel protected, cut off from the rest of the city; or maybe it’s the arched bridge between the buildings, a sort of monument to urban connection; or maybe it’s the dilapidated sidewalk that always seems on the verge of repair but never quite makes it, a little like some of the performers I met.

The street still has a grimy, industrial, and to me, romantic feel to it despite its proximity to the trendy, high-end real estate that has spread throughout lower Manhattan like an oil slick. The people I met and photographed have maintained a similar integrity, and thus for me, provided a similar romance.
I met artists and eccentrics of all stripes -- dancers, jugglers, actors, magicians, body painters, mimes, card sharks, singers, clowns. They were vibrant, defiant, shy, sad, sly, witty, odd, exuberant, angry, giving -- a perfect representation of the city itself, and of this tiny street that dates back to at least the early 19th century.

Chris Zedano

Images from the project are being exhibited in Fraser Gallery part of the 9th Annual International Photography Competition from March 12th through April 3rd. Pictures from "Staple Street" will also be exhibited at the National Art Club in New York as part of an event that will be held on June 1st 2010.
In Europe: at the Group Exhibition at AFF Berlin - Part of the European Month of Photography Biennial in November 2010.

invited by joanna

Stepan Rudik on World Press Photo

In the last few years we've seen many manipulations on photography that have appeard in the main newspapers in the world, in contests, in exhibitions, albums, etc... it is though the story of political propaganda in past. But now it's even more "common", because it's so much easier to manipulate - just few clicks in the computer.
This year in the World Press Photo Contest was revealed the manipulation. Stepan Rudik, the winner of the third prize in essay in Sport category was disqualified for removing a little object from one of the photos awarded.
Michiel Munneke, managing director of World Press Photo said: "After careful consideration, we found it imperative to disqualify the photographer from the contest. The principle of World Press Photo is to promote high standards in photojournalism. Therefore, we must maintain the integrity of our organization even when the outcome is regrettable."
More official info here.
Whole story with an interesting discussion and original picture: here.

Stepan Rudik, from the series "Antisport"

I’ve asked Stepan Rudik few questions about WPP and here are his answers:

j: How you feel about your disqualification? Does this little foot of your stands the level of copy and paste some items, or erasing whole figure we know from the history?

Stepan Rudik: I believe what I did can be equated to retouching, as if it were a defect of a film.

j: I'd like to know your attitude and the way you work. When does the final form (to have it in narrow frames, black and white, grainy, dark and dramatic) of an essay start? While working, while inventing the subject, after all pictures are done - as the final touch?

Stepan Rudik: I understood that I wanted to process the pictures in the way I did when the series was ready and I looked at it as a whole.

j: Which one submission of yours was "Antisport" to WPP contest?

Stepan Rudik: It was for the second time that I submitted to the contest this year.

j: Who are your heros in photography?

Stepan Rudik: Josef Koudelka and James Nachtwey

j: To make "Antisport" was your idea or was it the assignment from some newspaper ? How you find your topics?

Stepan Rudik: The idea was mine. I photograph life, different aspects of life, and I am interested in all subjects except the boring ones.

Stepan Rudik, from the series "Antisport"

invited by joanna