15 August 2008

invited photographer: Brian David Stevens
















Doggerland
"Doggerland is the former landmass in the southern North Sea which connected the island of Great Britain to mainland Europe during the last ice age. Geological surveys have suggested that Doggerland was a large dry land area that stretched from Britain's east coast across to the present coast of the Netherlands and the western coasts of Germany and Denmark.














The land was likely a rich habitat with human habitation in the Mesolithic period. Commercial trawlers in the North Sea have dragged up mammoth and lion remains, among other remains of land animals.











Doggerland is a land that is lost to us, but still exists buried and hidden. In this essay I try to find my own doggerland, buried and hidden but still there, at least to me."
Text and photos © Brian David Stevens
Find out more of Brian's work on driftingcamera.blogspot.com
invited by ulf fågelhammar

14 August 2008

13 August 2008

Some more of that green hope


Finally had some film developed from my new Yashica love

Trees




Photos by Brian David Stevens

12 August 2008

book review: En blues från Landskrona





En blues från Landskrona.
Photo: Thomas H Johnsson.
Text: Jonas Bergh.
Published by Kulturföreningen JB23, 2007.
Out of stock.
ISBN: 978-91-85629-12-1.



A few days ago I received En blues från Landskrona [A blues from Landskrona] by Thomas H Johnsson (photos) and Jonas Bergh (text). Subsequently, I have read the text and looked at the photographs not once, but several times. The book touches me deeply.

The photos are close, intense and often dark portraits of people in Landskrona, often of individuals on the fringe of society. "Immigrants" and "Swedes" include: an old man secretly drinking behind a fence, a young boy with his gun, someone using his stiletto to turn his hamburgers when having a barbecue on his doorstep, a man showing his knocked-out teeth, another man with needle marks in his arm, an elderly woman on her way to an anonymous residential quarter, a burned-out car.

Engelbrektsgatan © Thomas H Johnsson.

Timmermansgatan © Thomas H Johnsson.

People who, in one way or another, stand outside society are an important theme in Thomas H Johnssons's photographs, as well as the difference between the inhabitants of Landskrona. But the joy, freedom and, above all, the pride of the people portrayed aren't missing but are an important element in his portraits. The photographs breath punk; a movement that has obviously inspired Johnsson and Bergh.

Thomas's photographs are presented with the personal and brilliantly written texts by Jonas Bergh. In a sense, therefore, the reader gets two stories about the life in Landskrona. The combination of the text and the photographs is exceptionally successful.

Rådmansgatan © Thomas H Johnsson.

Rönnebergsgatan © Thomas H Johnsson.

The images, usually just named after the street they are photographed in, are captured in Landskrona, but they could be taken anywhere. The same applies to Bergh's text. The book could have been titled A blues from Säffle, A blues from Jönköping or a blues from any Swedish city. In many respects, through Landskrona, they give personal, political and very important portraits of Sweden of today. At least that is how I see it.

- Fredrik Skott

The review is also published in Swedish, here.

Isaac Hayes


Yesterday Isaac Hayes passed away at the age of 65. Many will associate him with South Park or Shaft etc. Others will, like I did, remember his songs recorded on Stax Records in Memphis in the 1960's. Like this one: Isaac Hayes -- I just don't know what to do with myself

Thinking doesn't help anyway....sometimes...someplaces....

Photo: Tatiana Bitir

11 August 2008

Don't shoot! - pictures from Georgia




















Pictures above: From a demonstration held August 10 in the Georgian city Batumi.








Pictures above: August 9, Georgia
Photographer© Levan Kakabadze
Levan is one of the invited photographers on The F Blog, now sharing these important pictures from a country in conflict.
www.levankakabadze.com

Sapa market in the north Vietnam

quả quýt = mandarin orange




gạo Nương = Nuong rice




quả cau = areca – nut




quả thanh long = blue dragon




quả cà pháo = eggplant




uả ớt = chili

All photos © Eugene Neduv

invited guest: Bosse Blomqvist

One of the reasons for me to switch from 135mm film to large format photography was the possibility to start working with glass plates. However, due to the fact that old glass plates are hard to find (and new ones messy to construct) I got stuck with orthochromatic 8x10"-film. But a year ago I discovered Bosse Blomqvist's work, which inspired me to at last start experimenting with exposing and developing 100 years old glass plates. It is a real pleasure to have the opportunity to invite him to the F blog.

Bosse Blomqvist uses glass plates, old ones from the beginning of the 20th Century as well as new homemade ones, 4x5" and 18x24 cm. I find his portraits interesting. Especially the combination of portraying modern people using old techniques is truly fascinating and very inspiring.






Please check out Bosse Blomqvist's Flickr-page. And don't miss Nils Bergqvist's reportage about Bosse and his work (in Swedish).


- Fredrik Skott

Book: Mathieu Bernard-Reymond TV

© Mathieu Bernard-Reymond

"A seductive atmosphere redolent of cinema dominates the digital photo series TV by Mathieu Bernard-Reymond (*1976). Isolated people who seem to be threatened by an unidentifiable danger move along the streets at night. Only upon closer inspection does one realize that the artist has replaced the illuminated windows with television screens. The colorful screens do not allow anyone to look either in or out and are limited to just a few channels. And the “wild” creatures outside the buildings—such as animals of prey on the prowl, half-naked women, riot police, two boxers in the middle of a fight—are merely artificial in nature, constructed out of flickering, blurred television images.

Mathieu Bernard-Reymond’s disturbing photographs symbolize as palpably as they do impressively how—in a reality that is only conveyed through media—all of life ultimately dissolves into a mass of indistinguishable pixels. Texts by Arnaud Claas, Helen Hirsch." (Press Release, Hatje Cantz Verlag)


TV
Mathieu Bernard-Reymond
ISBN 978-3-7757-2174-5
Hatje Cantz Verlag


For more information about Mathieu Bernard-Reymond, check out his homepage.

another thinking spot

Photographer: GC