11 June 2008

invited guest: Andreas Kaiser

I'm born in 1974 in a small town in southwest Germany. I'm married and have two daughters. With the birth of my oldest daughter I started taking photographs. Since 2004 I'm working only with film and mostly mechanical cameras. My work is autobiographical and intuitive. I try to investigate the force and meaning of the photographed image and my personal connection to people, places and my surroundings. I see my work as a search for my own view on life.




more or Andreas works you may find here ->
text and photos by Andreas Kaiser
invited by Marcin Górski

face to face (with): Luc Tuymans

Luc Tuymans preparing for the solo show in Zachęta Gallery/Warsaw.

Invited Guest: Chutney Bannister aka Yusuf Ozkizil

Surreal Line is a series of images by photographer Chutney Bannister that feature advertising photos juxtaposed with riders on the London Underground. Chutney tells us that:

"The Surreal Line is a series of images taken from an ongoing project, documenting moments of chance on the London Underground where static billboards and posters coalesce with the world around them. I'm interested in how these advertisements, specifically designed for delivering one message, can have that story completely hijacked -- often by the mere framing of a window -- creating an entirely new context. Commuters, who are somewhat static, withdrawn, and locked in their own private routines, are oblivious to these momentary collisions. I'm fascinated by these chance encounters, and needless to say I gave up reading on the tube after my first trip on the surreal line."

Chutney's images, with their often-ironic juxtapositions, illustrate how the ubiquity of advertising has consequences that are often laughably out of sync with the world it inhabits. (File Magazine)














Chutney Bannister, known to most people outside of flickr as Yusuf Ozkizil, travels through London armed with a compact camera, seeking to take the banal by surprise. His current show underworld is an unusual take on the seemingly familiar world of the London Underground. A collection of unguarded, and unfamiliar moments, which often go unnoticed...

You can see Yusuf's underworld series and other photographs here.
All photos
© Yusuf Ozkizil
invited by Rhonda Prince

10 June 2008

Postcard from Skövde

Revive

photo: abeku

Postcard from Stavsnäs

The Exhibition

Photographer: Thomas Håkansson

Marseille

Photographer: Jan Bernhardtz

Bravo, Strömholm and Kahlo

In the interview Graciela Iturbide among others mentioned her teacher and mentor Alvarez Bravo and the Swedish photographer Christer Strömholm. The emotional photos of Frida Kahlo´s house were made by Graciela.

So, please also have a look at these short articles on the F Blog.

Frida Kahlo portrayed by Nickolas Muray

Rediscovered photographs of Frida Kahlo
Manuel Álvarez Bravo
Christer Strömholm

08 June 2008

Entrevista con Graciela Iturbide

Graciela Iturbide, Roma 2007. Foto: Marco Delogu

The F Blog:
Estamos felices y orgullosos que Ud. está aquí de fotógrafa invitada del FBlog. Muchas gracias por permitirnos entrevistarle. Primero, quisiéramos felicitarle mucho por ser otorgada el Premio Hasselblad.


Graciela Iturbide:
Estimado Ulf. Le agradezco la invitación para participar en esta entrevista y me dará mucho gusto conocerlo en Gotemburgo.


The F Blog:
En octubre, cuando se le entregue el galardón, también habrá una exposición de su obra. Esperamos conocerle en Gotemburgo y decirles a nuestros lectores todo de la ceremonia y de la exposición. El Fblog tiene lectores de todas partes del mundo y estoy seguro que quisieran saber del itinerario de las exposiciones. ¿En dónde se exponen sus obras este año?


Graciela Iturbide:
Este año tuve una exposición en el Museo Paul Getty de los Angeles, CA en USA llamada “The goat dance” y acompañada de un catálogo. A principios de 2008 en New York, en Americas Society expuse una serie sobre el pueblo de Panamá y su líder en ese momento el General Omar Torrijos, esta exposición se presenta acompañada de un libro titulado “Torrijos el hombre y el mito”, la cual itinerará por Estados Unidos.
En agosto de este año en Buenos Aires, Argentina se presentará la muestra “Ojos para volar” con un libro del mismo nombre, editado por la Universidad de Austin, Texas. En octubre se presentará en Roma “El baño de Frida” y el 24 de octubre en Gotemburgo como parte del premio Hasselblad se hará una exposición y un libro.
Pájaros en la carretera, 1999
© Graciela Iturbide

The F Blog:
Ud. ha tomado muchas fotos de lo clásico de México que va cambiándose y, hasta cierto punto, desvaneciéndose. ¿Que de lo clásico extraña Ud. más y que de lo contemporáneo de México le interesa más?


Graciela Iturbide: En 1969 con mi maestro Álvarez Bravo tuve la suerte de visitar pueblos de México donde constantemente se celebran fiestas, siempre acompañadas de tradiciones y rituales los cuales con el tiempo se han transformado debido a la globalización. Sin embargo no deja de ser fascinante la introducción de diferentes elementos modernos, las máscaras antiguas son substituidas por máscaras de papel de huesos, de animales, o de plásticos que a la vez adquieren su propio significado, asi que la fantasía de México tanto en lo tradicional como en lo comteporáneo me sigue interesando. El ritual continua. Mi trabajo cambia constantemente, en este momento me interesa el paisaje y los objetos tanto de México como de otros países.

The F Blog:
Los sujetos de unas de sus imágenes son personas marginadas socialmente (los indígenas, los travestíes de Juchitán, los cholos del barrio de Los Angeles Este) y Ud. toma esta clase de foto con mucha ecuanimidad y respeto. ¿Que se le atrae a los temas sociales que cuestionan el statu quo? ¿Son fotos documentales?


Graciela Iturbide:
Para mí la fotografía es un pretexto para conocer diferentes culturas y el mundo. En el caso de México mi trabajo en zonas indígenas fue muy enriquecedor y un privilegio estar cerca de la gente y su cotidianeidad. En el caso de Juchitán, la cultura zapoteca se distingue por ser fuerte y orgullosa, los trasvestis son aceptados dentro de la sociedad y se dice que cuando una mujer tiene un hijo homosexual sera una ayuda en casa y en el trabajo.


The F Blog: Las imágenes de los cholos parecen íntimas, ¿Cómo tuvo la oportunidad de tomar fotos tan íntimas en Los Angeles Este?


Graciela Iturbide: Los cholos son mexicanos que pertenecen a pandillas en los EU. Me interesó conocer su forma de vida en ese país, tuve la oportunidad de vivir con ellos y fueron personas muy amables con quienes pude obtener la complicidad para tomar estas fotografías y donde observé la nostalgia que siguen teniendo por las tradiciones mexicanas.


The F Blog: Entre las fotos expuestas en el Fblog, hay una titulada Mujer Angel, la imagen de una mujer con un radio en la mano que está en un paisaje desierto. Es una foto memorable, inolvidable.
Hoy día vemos miles de imágenes diario. Pero ¿cómo son las imágenes para Ud? En este flujo de imágenes que clase de foto le llama la atención y que tiene la foto que la hace inolvidable aun después de mucho tiempo?

Graciela Iturbide: La fotografía de Mujer Ángel fue tomada en el desierto de Sonora, es una india seri. Yo la llamé Mujer Ángel pues representa de alguna manera el cambio que esta comunidad tuvo. Hasta hace unos 80 años eran nómadas y pasaron abruptamente al sistema capitalista por su cercanía con el Estado de Arizona en los Estados Unidos. Ellos intercambian sus artesanías por aparatos electrónicos como radio, videos, etc. y me parece muy interesante el uso de estos objetos dentro de su cultura.


La fotografía de Mujer Ángel fue tomada casualmente y cuando vi los contactos no me acordaba en qué momento la había tomado. En este caso es una imagen que siento me regaló el desierto. Hay imágenes que uno no olvida tanto en la historia de la fotografía como de la pintura. Por ejemplo yo no podré olvidar la Madonna del parto de Piero de la Francesca o La Piedad de Eugene Smith. Lo fuerte siempre llega y se queda con nosotros.

The F Blog:
.¿Que piensa de exponer sus fotos en la Red? ¿Tiene Ud. un sitio de Red?


Graciela Iturbide: Estoy muy feliz de poder exponer mis fotos en Blog y desafortunadamente aunque no es primordial, no tengo un sitio en la red pero estoy en proceso de tenerlo.

Casa de Frida Kahlo, México City, 2007
© Graciela Iturbide


The F Blog:
Se ha otorgado el Premio Hasselblad a muchos fotógrafos famosos como a Henri Cartier-Bresson, Robert Frank, Irving Penn, Josef Koudelka, Christer Strömholm, para mencionar unos, y también a su compatriota, Manuel Álvarez Bravo. Con unas gran excepciones, la mayoria de los fotógrafos premiados son hombres. Sra. Iturbide, ¿hay fotógrafas que se le han inspirado la trayectoria fotográfica de Ud?


Graciela Iturbide: Hay fotógrafos y fotógrafas que han inspirado mi trabajo. No es cuestión de género es cuestión de sensibilidad. El trabajo de Francesca Woodman es un trabajo que siempre me ha gustado y de alguna manera me ha inspirado.


The F Blog: Sra. Iturbide, Ud. fue la primera persona permitida entrar en unos de los cuartos de la Casa Azul de Frida Kahlo. Esos cuartos estuvieron cerrados durante 50 años según los deseos de Frida Kahlo y de Diego Rivera. Podria describir lo que sentía Ud. al entrar es estos cuartos y tomar fotos allá?


Graciela Iturbide: El cuarto de Frida Kahlo por decisión de Diego Rivera debió permanecer cerrado durante 15 años, por alguna razón no se abrió hasta después de 50. Tuve la suerte de que el museo me invitara a trabajar en este proyecto. Fue muy fuerte para mí entrar en este baño y ver todos los objetos guardados durante tanto tiempo. Me dediqué a interpretar los objetos de Frida, corsets, prótesis etc. es decir objetos que tenían que ver con su dolor.

The F Blog: Muchísimas gracias por participar en esta entrevista corta, Sra. Iturbide y esperamos ver a Ud. en persona en Gotemburgo.

Graciela Iturbide: Gracias por su interés en mi trabajo.

Perros Perdidos, India, 1998
©Graciela Iturbide

Graciela Iturbide es la Ganadora del Premio Hasselblad 2008.
El premio, será entregado en una ceremonia en Göteborg, Suecia, el 25 de octubre de 2008. En relación con la ceremonia, se inaugurará una nueva exposición de las fotografías de Graciela Iturbide en el Centro Hasselblad.

La decisión de la Fundación para otorgar el premio 2008 a Graciela Iturbide, se justifica de la siguiente manera:


"Graciela Iturbide es considerada una de las fotógrafas latinoamericanas de
mayor importancia e influencia de las últimas cuatro décadas. Sus fotografías se distinguen por su excepcional fuerza y belleza visual. Graciela Iturbide ha desarrollado un estilo fotográfico basado en su profundo interés por la cultura, los rituales y la vida cotidiana en su natal México y en otros países. Iturbide ha llevado el concepto de la fotografía documental un paso más allá al hacer visible la relación entre el hombre y la naturaleza, el individuo y la cultura, lo real y lo psicológico. Sigue inspirando a una generación más joven de fotógrafos en América Latina y en otras partes del mundo."

Para más información visite: www.hasselbladfoundation.org

La invitación de Graciela Iturbide es una cooperación de Beatriz Rowland, Fredrik Skott y Ulf Fågelhammar.

Meeting Graciela Iturbide

Self-Portrait with fish, Pachuca, 1996
© Graciela Iturbide

The F Blog: We are glad and proud to see you here, Sra. Iturbide, as an invited guest to the F Blog. Please allow us to congratulate you for being awarded the Hasselblad prize.


Graciela Iturbide
: Dear Ulf, I appreciate the invitation to participate in this interview and it will be a pleasure to meet you in Gothenburg.


The F Blog: In October when you receive the award in Gothenburg, there will also open an exhibition of your work. We look forward to meet you again in Gothenburg and tell our readers all about the ceremony and exhibition. But where else will your photos be seen this year? The F Blog has readers from all around the planet and I am sure they will find it interesting to know about your plans for exhibitions.


Graciela Iturbide
: This year I had an exhibition at the J. Paul Getty Museum in Los Angeles, California, USA, called The Goat’s Dance, which was accompanied by a catalogue. Early in 2008, at the Americas Society in New York I showed a series about the people of Panama and their leader at that time, General Omar Torrijos. The exhibition is accompanied by a book titled, Torrijos: The Man and the Myth, and will be shown throughout the United States.


In August 2008, in Buenos Aires, Argentina, an exhibition titled Ojos para volar, is being shown, along with a book with the same title, edited by The University of Austin, Texas. In October 2008, El Baño de Frida, is being shown; and on October 24, as part of the Hasselblad prize, there will be an exhibition and a book.


The F Blog: Sra Iturbide, you photographed many images of "classical" Mexican culture that has changed or is disappearing; what do you miss of the classical and what interests you in contemporary Mexico?


Graciela Iturbide:
In 1969, with my teacher Álvarez Bravo, I had the good fortune to be able to visit villages in Mexico where festivals are celebrated constantly, always accompanied with traditions and rituals with have been transformed throughout time due to globalization.

However, the introduction of different modern elements is always fascinating, such as substituting ancient masks with paper masks, animal bones, or plastic ones, which acquire their own meaning; in that way the Mexican imagination, whether traditional or contemporary, continues to interest me. The ritual continues. My work is constantly changing. Right now I’m interested in landscapes and objects, as much from Mexico as from other countries.

The F Blog: Sra. Iturbide, often the subjects of your photos are marginalized socially (indigenous peoples, the transvestites in Juchitán, the cholos of East Los Angeles) and you photograph them with total equanimity and respect. What attracts you to difficult subjects and themes that question the status quo? Are they documentary photos?

Graciela Iturbide: For me photography is a pretext for getting to know other cultures and the world. In the case of Mexico, my work in the indigenous regions was very enriching and a privilege to be with the people in their daily reality.

In Juchitán, the Zapoteca culture is known for being strong and proud, the transvestites are accepted within the society and it’s said that when a woman has a homosexual son that he will be a help with the house and work.

The Gossipers, Juchitán, 1986
© Graciela Iturbide

The F Blog: The images of the cholos seem very intimate. How did you have the opportunity to take such intimate photographs in East Los Angeles?


Graciela Iturbide: The cholos are Mexicans who belong to gangs in the US. I was interested in knowing about their way of life in that country and I had the opportunity to live with them. They were very friendly people with whom I felt an affinity and could take the photos and where I observed their nostalgia for Mexican traditions.


The F Blog: Among the photos shown here on the F blog there is one called Seris - it is a picture of a woman carrying a radio in a desert landscape. It’s a photo that once you have seen it, it will always stay in your mind. Today we are exposed to thousand of pictures every day, but in this flow of images, what is it in a photograph that gets your attention, what is it that makes you remember it, even after a very long time.


Graciela Iturbide: The photograph Mujer Ángel was taken in the Sonaran desert, she is a Seri Indian. I called it Mujer Ángel because in some way it represents the change that this community had. Until 80 years ago they were nomads and abruptly entered in to the capitalist system of the US. They trade their folk art for electronic equipment like radios, videos, etc and the use of this equipment within their culture is very interesting to me.


The photo Mujer Ángel was taken casually and when I saw the contact sheets I didn’t remember the moment in which I taken the photo. In this case, I feel that it is an image that the desert gave to me.


There are images in the history of photography as much as in the history of painting that one can’t forget. For example I will never forget the Madonna del parto by Piero della Francesca nor the La Piedad by Eugene Smith. What has intensity is what reaches and stays with us.


The F Blog: Sra Iturbide, how do you feel about showing your photos on the Internet? Do you have a web site?


Graciela Iturbide: I’m very happy that I can show my photos on a blog, and unfortunately, even is it isn’t essential, I don’t have a website but I’m in the process of getting one.

The F blog: The Hasselblad Award has been granted many famous photographers like Henri Cartier-Bresson, Robert Frank, Irving Penn, Josef Koudelka, Christer Strömholm, to mention a few, and of course, your compatriot Manuel Alvarez Bravo. With some great exceptions most of the photographers awarded are men. How about you, Sra Iturbide, are there any woman photographers who have served as inspiration for your work?


Graciela Iturbide: There are women and men photographers who have inspired my work. It isn’t a question of gender but of sensibility. I’ve always liked the work of Francesca Woodman and in some way it has inspired me.

House of Frida Kahlo, Mexico City, 2007
© Graciela Iturbide


The F Blog:
Sra. Iturbide, you were the first person allowed to enter some of the rooms in Frida Kahlo´s house, rooms that had been locked for 50 years according to the wishes of Frida Kahlo and Diego Rivera. Could you describe your feelings entering these rooms and your feeling about photographing there?


Graciela Iturbide: According to the decision of Diego Rivera, Frida Kahlo’s room was supposed to remain closed for fifteen years but for some reason it remained closed for more than fifty years. I had the good fortune to be invited by the museum to work on this project.

It was very difficult for me to enter the bathroom and see all the objects that had been stored for so much time. I dedicated myself to interpret the objects of Frida, her corsets, prosthesis, etc; which is to say, the objects that related to her pain.


The F Blog: Many thanks for participating in this small interview Sra Iturbide and we are hoping to see you in person in Gothenburg, Sweden later this year.


Graciela Iturbide: Thank you for the interest in my work.

The Hasselblad Foundation International Award in Photography of 2008 will be handed over to Graciela Iturbide in a ceremony held in Gothemburg, Sweden 25 October.

The Foundation’s citation:

Graciela Iturbide is considered one of the most important and influential Latin American photographers of the past four decades. Her photography is of the highest visual strength and beauty. Graciela Iturbide has developed a photographic style based on her strong interest in culture, ritual and everyday life in her native Mexico and other countries. Iturbide has extended the concept of documentary photography, to explore the relationships between man and nature, the individual and the cultural, the real and the psychological. She continues to inspire a younger generation of photographers in Latin America and beyond.

Visit www.hasselbladfoundation.org for more information about the Hasselblad Prize.

The Graciela Iturbide weekend on the F Blog is a cooperative effort by Beatriz Rowland, Fredrik Skott and Ulf Fågelhammar. This interview will also be published in the original language - Spanish.

07 June 2008

invited guest: Graciela Iturbide

Angelito, 1984
© Graciela Iturbide
Courtesy of Galería López Quiroga




Jano, 1980
© Graciela Iturbide
Courtesy of Galería López Quiroga



Madona 1980
© Graciela Iturbide
Courtesy of Galería López Quiroga

Graciela Iturbide from Mexico is one of the true masters of photography. For us living in Sweden it is a special feeling to know that she will be in Gothenburg on 25 October to receive The Hasselblad Foundation International Award in Photography of 2008. The Hasselblad Prize is sometimes called the Nobel Prize of Photography and we could not think of a better choice for this award than La Maestra Graciela Iturbide. From a Swedish perspective we are glad to learn from a chat with Graciela on the Hasselblad site, that she has visited Sweden several times and that she is familiar with and highly appreciate the work of photographers like Christer Strömholm and Anders Petersen.

The Hasselblad Foundation says: "Graciela Iturbide is considered one of the most important and influential Latin American photographers of the past four decades. Her photography is of the highest visual strength and beauty. Graciela Iturbide has developed a photographic style based on her strong interest in culture, ritual and everyday life in her native Mexico and other countries." For more about the Hasselblad Prize visit: www.hasselbladfoundation.org/


Mujer de las iguanas, 1979
© Graciela Iturbide
Courtesy of Galería López Quiroga




Mujer Angel, 1979
© Graciela Iturbide
Courtesy of Galería López Quiroga


The F Blog is very proud to be able to present a selection of Graciela Iturbide's work. These photographs have been selected by her personally and are provided by Galería López Quiroga in Mexico City.

We dedicate this weekend of the F blog to Graciela. The news says that Sweden is right now the warmest and sunniest place in Europe. We believe that it has something to do with the warmth emanating from Mexico, La Maestra Graciela Iturbide and her photography. There is magic in everyday life, she has shown it to us in her pictures from Mexico and elsewhere. Her work is a gift to all of us, regardless of nationality or ethnic origin. Please stay tuned to this magic, continuing tomorrow with an interview given by Graciela exclusively for The F Blog.

Graciela Iturbide photographed Mexican Americans in the White Fence barrio of East Los Angeles as part of the documentary book "A Day in the Life of America" (1987)

A selection of other publications: Los Que Viven en la Arena (Those Who Live in the Sand), 1981; Sueños de Papel (Dreams of Paper), 1985; Juchitán de las Mujeres (The Women of Juchitán), 1989; En el Nombre del Padre (In the Name of the Father), 1996; La Forma y la Memoria (Form and Memory) 2002; Pájaros (Birds), 2002; India México, 2004; Eyes to Fly With, 2006; Roma (Rome), 2007; Juchitán, 2007.


Upon the launch of the Juchitán series she received the prestigious W. Eugene Smith Award in 1987.

Graciela Iturbide has exhibited widely at major institutions and museums around the world, including the Centre Georges Pompidou in Paris. Her photographs have recently been on exhibit at the J. Paul Getty Museum in Los Angeles. Her work is in major collections in Latin and North America, and in Europe.

The Graciela Iturbide weekend on The F Blog is a cooperative effort by Beatriz Rowland, Fredrik Skott and Ulf Fågelhammar.

06 June 2008

all you need is (F) / docu:08 love in the city

love in the city / Stockholm / 08 / feel the spring ;)*

(F)riday again!

Happy Tails

photo: Jeanne Wells


When I send out my Daily Print on Friday, I rejoice a bit because that's the end of my week. Then I scoot over here to the F Blog and share it with all you good folks. Could life be any better than that?

05 June 2008

Roadbumps and evolution....

Some years ago a bunch of people decided that there would be no more casualties caused by traffic in Sweden. They have spent a whole lot of time, thinking and money to invent something that we on the countryside has had for a long long time...

Roadbumps.

So, by doing absolutly nothing you actually can be ahead of technical evolution...

Go figure that one out...

dalmatine

Photographer © Jan Bernhardtz

04 June 2008

faces of 1926

A Swedish school class of 1926. Provided by Margareta Cortes. Photographer unknown.

frontal crash

Photo: Walter Neiger

Fiat 500 travelled all the way to Poultikasvaara

Our first car, when I was a little girl was a Fiat 500. We were so proud of it, although it did not have a real back seat, just a board where we put a matress. It was not a powerful car, I remember us cheering on Dad and the Fiat when the road went upwards in order to get us to the top.
Poultikasvaara is Sami language and means "nettle hill"
Text: Margareta Cortes Photo: Karl-Gunnar Roth (her brother)

03 June 2008

Old Family Photos









John Hope Franklin wrote about the "Negro" in society, and he said that in some parts of the nation, there were black folks who were a part of "society." Either their skin color (more often than not) or their educational levels gave them entree into the hoity toity world of vacations, balls, college frats and sororities, and houses of their own.

My parents were teachers in a small, Southern town. They had been taking vacations since the 1940s. Of course, they always stayed with friends and family, but Fernandina Beach aka American Beach was my first vacation with them. When I see them sitting there so young and happy, I have to pinch myself. They never showed displays of affection in front of folks.

My Mother was a lady and my dad liked to think of himself as a hoodlum, but he really wasn't. They worked together for almost 60 years, and when death separated them, the pain in my father's face was so intense, I had to look away. My favorite memory of this couple involves my father looking at my mother as I looked at him. I watched his features soften and the color in his hazel warm as he looked at my mother's face. They were a team, and now I'm glad they're back together.







The Afro-American Motel was the crown jewel of American Beach--the part of Fernandina Beach that we could visit. My first trip there was as a six month old. Across the street from the motel was a house made like a ship--it had portholes and everything. When I returned at five, I used to watch that house for hours. It was one of the first houses I had seen that had a garage, so every time the car disappeared into the house, I was amazed.

My grandmother was born in Fernandina Beach, and I've traced her ancestors back two generations. She had a cousin named Harry Treye who only had arm, but Mr. Treye could do anything a person with two arms could do. We used to go to the Treyes whenever we visited Fernandina, and it was such a treat. It was a huge (from my pre-teen years) house with a wonderful front porch and a bathroom that was added later and was situated on the back porch.










Our days in Fernandina were spent on American Beach in the mornings and sight seeing in the afternoons. When I look at the pictures now, none are as touching for me as the one of my parents when they were young and almost carefree. I love their lineless faces--their vibrant skin--their ability to touch each other unabashedly. It is hard to see them so alive when I remember how they were when they left me.

Text by © Annye Refoe
in cooperation with William Schmidt who scanned the photos.