invited guest: Andreas Kaiser






The camera is an instrument that teaches people how to see without a camera / Dorothea Lange
Surreal Line is a series of images by photographer Chutney Bannister that feature advertising photos juxtaposed with riders on the London Underground. Chutney tells us that:
"The Surreal Line is a series of images taken from an ongoing project, documenting moments of chance on the London Underground where static billboards and posters coalesce with the world around them. I'm interested in how these advertisements, specifically designed for delivering one message, can have that story completely hijacked -- often by the mere framing of a window -- creating an entirely new context. Commuters, who are somewhat static, withdrawn, and locked in their own private routines, are oblivious to these momentary collisions. I'm fascinated by these chance encounters, and needless to say I gave up reading on the tube after my first trip on the surreal line."
Chutney's images, with their often-ironic juxtapositions, illustrate how the ubiquity of advertising has consequences that are often laughably out of sync with the world it inhabits. (File Magazine)In the interview Graciela Iturbide among others mentioned her teacher and mentor Alvarez Bravo and the Swedish photographer Christer Strömholm. The emotional photos of Frida Kahlo´s house were made by Graciela.
So, please also have a look at these short articles on the F Blog.
Frida Kahlo portrayed by Nickolas Muray
Rediscovered photographs of Frida Kahlo
Manuel Álvarez Bravo
Christer Strömholm
Our first car, when I was a little girl was a Fiat 500. We were so proud of it, although it did not have a real back seat, just a board where we put a matress. It was not a powerful car, I remember us cheering on Dad and the Fiat when the road went upwards in order to get us to the top.
Poultikasvaara is Sami language and means "nettle hill"
Text: Margareta Cortes Photo: Karl-Gunnar Roth (her brother)
John Hope Franklin wrote about the "Negro" in society, and he said that in some parts of the nation, there were black folks who were a part of "society." Either their skin color (more often than not) or their educational levels gave them entree into the hoity toity world of vacations, balls, college frats and sororities, and houses of their own.
My parents were teachers in a small, Southern town. They had been taking vacations since the 1940s. Of course, they always stayed with friends and family, but Fernandina Beach aka American Beach was my first vacation with them. When I see them sitting there so young and happy, I have to pinch myself. They never showed displays of affection in front of folks.
My Mother was a lady and my dad liked to think of himself as a hoodlum, but he really wasn't. They worked together for almost 60 years, and when death separated them, the pain in my father's face was so intense, I had to look away. My favorite memory of this couple involves my father looking at my mother as I looked at him. I watched his features soften and the color in his hazel warm as he looked at my mother's face. They were a team, and now I'm glad they're back together.The Afro-American Motel was the crown jewel of American Beach--the part of Fernandina Beach that we could visit. My first trip there was as a six month old. Across the street from the motel was a house made like a ship--it had portholes and everything. When I returned at five, I used to watch that house for hours. It was one of the first houses I had seen that had a garage, so every time the car disappeared into the house, I was amazed.
My grandmother was born in Fernandina Beach, and I've traced her ancestors back two generations. She had a cousin named Harry Treye who only had arm, but Mr. Treye could do anything a person with two arms could do. We used to go to the Treyes whenever we visited Fernandina, and it was such a treat. It was a huge (from my pre-teen years) house with a wonderful front porch and a bathroom that was added later and was situated on the back porch.Our days in Fernandina were spent on American Beach in the mornings and sight seeing in the afternoons. When I look at the pictures now, none are as touching for me as the one of my parents when they were young and almost carefree. I love their lineless faces--their vibrant skin--their ability to touch each other unabashedly. It is hard to see them so alive when I remember how they were when they left me.
Text by © Annye Refoe
in cooperation with William Schmidt who scanned the photos.