who are they to decide?
photos:christofer grandin
The camera is an instrument that teaches people how to see without a camera / Dorothea Lange
Let me present a favourite of mine, Sara Gust, living in Barcelona, Spain. The project she presents here caught my attention, and I invited her. I'm happy she kindly accepted. But enough of me talking... Sara's own introduction then.
I engage intensely in both text and picture, separated or together. I'm the editor of Display Magazine. I enjoy working on my own projects and ideas, and to create my own little private universe. Have always kept going for the pure joy of creativity, but the need for actually communicating is becoming more and more important to me.
Find more about Sara at her fotosidan profile.
The project 'My girlfriend' is about someone's girlfriend, or perhaps not? You decide.
I've translated the captions myself, so any crude language or lost nuances are all my fault.
To call her special is probably to exagerate.//
My girlfriend is so damn boring. //
I care much about her. //
Everyone believes she is a passionate animal friend. //Christophe has a unique way of captuering a state of mind, looking through the lens and seeing beyond the object and capture that unique feeling.
I have for a few days trying to come up with some words to Christophe´s photos but it seems really hard to describe that feeling I get and emotive they are though they touches the inner me deeply so I let his photos speak for themself and starts with a quote from Christophe exclusive for The F Blog.
Please see more at Christophe´s homepage http://nousyork.com/
These photos are taken from a serie called life below
"The road from the eye to the heart is easy to follow. I am taking it with my eyes closed."
Invited by Mikael Jansson





© Christophe Agou
A dark era in Polish history
25 years ago on Sunday 13th of December communistic junta directed
by general Jaruzelski announced martial law in Poland. The darkest era
in modern Polish history cost the life of many people, many of others
were imprisoned and tortured, all of the nation was oppressed and
humiliated for years (officially until 1983 – unofficially until 1989).
This difficult time was documented in photography by brave people as
Krzysztof Raczkowiak and many others – risking their life.
Krzysztof Raczkowiak documented “events in Lubin” (31.08.1982) when
the government used fire arms against the manifestation of Solidarity.
Three of the participants were killed, many injured. More here:
Two brothers. One father. Gustaf, the younger brother, was introduced to photography by his older brother, Richard. Richard, in turn, was introduced by his father. A male lineage.
Among male photographers, this seems to be a very common story. What, exactly, is being inherited? The image-worlds of Gustaf and Richard, for example, are far apart, yet they share a common ancestry. Photography is only a method: the means to do something. It seems to be completely different factors shaping the content, the motives, the compositions. Something much more complex than ancestry: life. No less, I would argue.
In Richard's photographs we see lots of life, lots of experience. They are documents we all can relate to. As parents, daughters, sons, relatives, friends, etc, we often wish to have made the thousand-word portraits of the people close to us. Richard, in trying, comes very, very close.
In his own words:
Eight years ago I came across some pictures my father had taken. Pictures of our every day life in the mid-1970s. Apparently he was quite a good photographer, always carrying his camera with him, taking pictures of everyone and everything, documenting his family and friends. But I was horrified to hear how he by mistake threw away all his negatives and most of the prints. Now, I am trying to follow in his footsteps, trying to repeat what he accomplished. I will save my work, though.
Gustav and Richard Gustafsson have their own blog, Ollad av Tengil.
Invited by Joakim Sebring.




