The flute player

This is not a new portrait...but i went through some negatives lately. This guy is a "crazy" violin player...anyone guessed? It was really fun to work with him.

Miss Melancholy's Collard

I don't know what's to be done with people like this. Maybe send her off on a holiday, or a cruise, or a trip on a space shuttle, or a spin around a skating rink, or to the doctor, some doctor, anyone but Tarkini, anyone . . .

I saw an angel

Image Caption:Pola Negri.
[Cigarette cards] >
Cinema stars (circular cards).
Library Division:
Humanities and Social Sciences Library
/ George Arents Collection
Specific Material Type:
Photomechanical prints
from NYPL

Let there be light

lost and found (5)

negatives found in forgotten darkroom in my job, continuation

uknown author, uknown person portrayed, uknown place and date (somewhere in Upper Silesia, perhaps in Gliwice, early 1970s?), uknown material (maybe Orwo?), pentacon six

Monuments - an exploration of modern Stockholm

Exhibition in Stockholm
Vernissage Thursday 1 February, 17.00-20.00
Introduction of the exhibition by Ingela Lind 18.00

Photographer Misha Pedan and writer Ingela Lind in a dialogue about
contemporary monuments

Gallery open Wednesday-Friday 12-18, Saturday-Sunday: 12-16
Centrum för fotografi, Tjärhovsgatan 44, Stockholm
http://www.centrumforfotografi.se/

Invited guest: Stefano Bernardoni

photographs from the series: Visual tresholds / Soglie visive, 2000-2006 © Stefano Bernardoni

Stefano Bernardoni (1968; Italy) is interested in photography since the early 90's. Works in b&w. Stefano says: "this method, as far as I'm concerned, is the fundamental way of the message's construction in photography. Every part of the photographic process should be controlled by the author, as I do in my own, only this way could make the final message true". Stefano Bernardoni with Massimo Bersani are founders of Terzoocchio in 2004 - multinational photogroup (the third eye). He has several individual exhibitions and dozens of group exhibitions, mainly in Italy, but also in Finland, Russia and Japan. Take a look at his portfolio here. And stay tuned for the next Terzoocchio events...

invited by Joanna Kinowska

my meetings with Ryszard Kapuściński…Sweden

those meetings were multidimensional, sometimes I wasn’t even aware I was meeting him in a way. Somehow I was following his way, also in geographical aspect. During a week in March 2006 while Gruppo F organized F12 exhibition in Stockholm – Mr. Kapuściński was just there. You may find some marks of his visit in Swedish papers from this time ie in SvD and in DN.Kultur

 

people at work, Gruvön

Anneli Lundberg sent me some excellent pictures that I am happy
to share with you. She was our invited guest 3 October 2006.
It´s good to see you again at the F blog Anneli! -urbano

"These pictures were published in a book printed in 2006, celebrating
the 75th anniversary of a branch (Gruvön) of the Swedish Paper
Workers Union. I was asked to contribute with ten pages of photos
presenting my view of Gruvön. It turned out that I was finally asked
to illustrate the entire book. It was a very stimulating project since I
was free to chose my way of creating the pictures. I was glad that
I didn´t have to do a documentary because it´s not quite my way
of photographing"













photographer©Anneli Lundberg

viktor ( the fleeting moment)

Anchored by the slim trunk, sandwiched between the spaces...there is
a tentative intimacy to this image, for me. A feeling not so different
from coming across a fawn in the forest. Almost a chance encounter.
A sudden movement and he scampers into the brush.

I love this photo for the silent communion between photographer and
small creature. The blanket of ground cover...the depth of the woods
...a still silence in the Fleeting Moment...the Right Moment to depress
a shutter.

I feel the urge to brush aside the blurred leaves of the foreground.
Close enough to touch...just extend the arm and shove to the right
...step forward with the left foot...and the image vanishes...nothing
but a handful of leaves and the illusion of having shared something
a moment ago.
The Fleeting Moment.
(Matthew T. Joyce)

the stereotypes?

some streetshots from palermo&catania. i'm trying these because of the faces. what are your associates with sicily, what are the stereotypes? do people live there like in my pics?

i often ask this question while making photos "at home". i know it, i feel it, and i can tell a story. although i know sicily quite qell, i'm not native, i'd never understand some things.

which is easier: to tell a story you know pretty good or the one you can't know but you just feel excited?

Snow in Oslo

Hi F. The snow came falling down this weekend in Oslo, it awoke something
in me, emotions and wondering, so now I'm making photos of snow,
and maybe some twig or a piece of a fence too, but most important is the
bright and vague snow.

Espen Aasheim








photographer©Espen Aasheim

Marion in the year of 1939

Wolcott, Marion Post , 1910- -- Photographer

African American schoolgirls in the fourth and fifth grades
demonstrating a health movingpicture that they had
made, Flint River Farms, Georgia,
May 1939.

I am trying to catch up with Marion, It seems she had a very busy

year in 1939. She was 29 years old and was travelling around the
southern states of the US.Was she aware of what was going to happen
the coming years? Did she know anything about the escalating horrors
of the third reich? There was no CNN or Al Jazeera, no television, no
Internet. And the people she photographed? Did they realize that
a world war was just beginning. I don´t think so. And still...there is
something about the people she met that makes me wonder.

Wolcott, Marion Post , 1910- -- Photographer

Three African American women waiting for street car on their way
to work as domestics, early morning, Mitchell Street, Atlanta, Georgia,
May 1939.

Wolcott, Marion Post , 1910- -- Photographer

African American men, both tenants and neighbors, eating dinner after the
white men have finished on day of corn-shucking at Mrs. Fred Wilkins'
home, Tally Ho, near Stem, Granville County, North Carolina,
November 1939.

So many years have passed, and 1939 is history. But tonight, with so many
thoughts running through my head after seeing Marion´s pictures from that
year, it seems like only yesterday.

Warsaw, September 1939. First aid being given after a German air-raid.

Poland in photographs, 1939-1944.
Created Date:
1939

I am also thinking about Poland and September 1 and I found a picture
from that city as well. It breaks my heart to think about what the people
of Warsaw had to face the coming years. And yes...it was only yesterday.

-urbano

Pictures found at NYPL and FSA.

1939

focus on Africa

all photos are from Africa taken by Ryszard Kapuściński comes from his exhibition in Green Gallery in Warsaw
© by Ryszard Kapuscinski

my meetings with Ryszard Kapuściński

I have been meeting Ryszard Kapuściński since I discovered the "Emperor" when I was teen. Since that time we have been meeting regulary, with his new an older books which I hunted in the bookstore in library. I was with him in China, in Angola, Ethiopia, Latin America, Siberia, then on his beloved villages in Polish Poldlesie. Normally I assisted him during his dangerous trips to places where people decided to start to kill each other, sometimes because of surreal reasons like lost football game. Recently I was following him on his intellectual trips with Herodotus. He guided me by Lapidaries of humanity.
We have never met in real life, or better perhaps we have never met in real life. Our meetings, or better my meetings with him were taking places on the pages of his books. This author, thinker, historian, poet, journalist and photographer determined as no other perhaps my way of watching the world, my will of traveling and finally my way of photographing.
I said that we have never met in real life – perhaps never… Two years ago, while walking thru Lisbonian old town, at the small café I have noticed a man looking exactly like Ryszard Kapuściński, the same face, same glasses, same smile…When I returned to Poland I learnt Kapuściński was in Lisbon more or less in the same time.
This is very small probability, that I met him in person, that time in Lisbon, but somehow I like to think it’s true…
Although he passed away yesterday night, I am sure I’ll be meeting him again and again, thanks to books he left, thanks to his poems and thanks to this picture…

photo by Marcin Górski

Ryszard Kapuściński (March 4, 1932 in Pińsk - January 23, 2007) was a popular Polish journalist, both at home and abroad.

Born in Pińsk, a city that was formerly located in the Kresy Wschodnie (Eastern Borderlands) of the Second Polish Republic and now belongs to Belarus, Kapuściński is generally thought of as Poland's leading journalist. In 1964, after honing his skills on domestic stories, he "was appointed by the Polish Press Agency as its only foreign correspondent, and for the next ten years he was 'responsible' for fifty countries." [1] Throughout this period, Kapuściński traveled around the developing world and reported on wars, coups and revolutions in the Americas, Asia and Europe. When he finally returned to Poland, he had lived through twenty-seven revolutions and coups. In the English speaking world, Kapuściński is best known for his reporting from Africa in the 1960s and 1970s, when he witnessed first-hand the continent's liberation from colonialism.

Starting in the early 1960s, Kapuściński has published books of increasing literary craftsmanship characterized by sophisticated narrative technique, psychological portraits of characters, a wealth of stylization and metaphor and unusual imagery that serves as means of interpreting the perceived world. Kapuściński's best-known book, The Emperor, concerns itself with the decline of Haile Selassie's anachronistic regime in Ethiopia. Shah of Shahs, on the fall of Mohammad Reza Pahlavi, the last Shah of Iran, and Imperium, about the last days of the Soviet Union, have enjoyed similar success.

Kapuściński is fascinated not only by exotic worlds and people, but also by books: he approaches foreign countries first through literature, spending months reading before each trip. He knows how to listen to the people he meets, but he is also capable of "reading" the hidden sense of the scenes he encounters: the way that the Europeans move out of Angola, a discussion regarding alimony in the Tanganyikan parliament, the reconstruction of frescoes in the new Russia - he turns each of these vignettes into a metaphor of historical transformation. This tendency to process private adventures into a greater social synthesis has made Kapuściński an eminent thinker, and the volumes of his ongoing Lapidarium series are a fascinating record of the shaping of a reporter's observations into philosophical reflections on the world and people.

by Wikipedia

Dear Marion

We have shown Marion Post Wolcott's FSA work here more than once. Most recently, this post by Ulf. Which got me thinking about Wolcott's work, and my own efforts to try and convey the life of a place not my own.





For me, the Mississippi Delta is a haunted, barren wasteland. It is, like so many of the subjects I love, cast off, worn out, done with. And yet it is a beautiful place -- one of the most beautiful and moving places I've ever seen --





As I sifted through images to try to find a fitting tribute to Wolcott's Delta work, I had many conversations with her in my head. What it is to be a Northern woman traveling in the American South, then and now; what it is to try to photograph tragedy and shame so tightly woven with dignity and faith that the air itself seems soaked with it.




Dear Marion, whose feet, whose hands, gone now? So easy to show what's there -- but how to show what isn't?



all images © Jeanne Wells

[Free your mind]- A-Pro-Ad

Invited guest: Gabor Pal

I proudly introduce to you - Gabor Pal - "the master of digital remastering". Gabor aka "Radikalis Vertikalis is a young hungarian student who creates his photographic artworks in a surrealistic tradition using only digital technique. I came across his portfolio some time ago and was quite taken with the mix of vivid images I found.

"As for me photography and manipulation are going together. Digital technique is a great way to reanimate spirit and to move it into a higher level of conciousness."
/Gabor Pal

Invited by Helena Nilsson



Anima



Waiting for endofuture

Welcome to the dollhouse



Where shore splits

See more here

The winter arrived at last

.....and the winter arrived at last. The white big reflection surface which all children can play with, the feeling of cold air biting the cheeks, the patterns on windows.... I saw this when i was in a hurry but i couldn´t pass...

and the winner is...Solo!

This picture - called "Solo" - just recently was awarded "best picture"
by YFO It was shot outside the museum of modern art in Barcelona in
February 2006 with a slow, old Canon PowerShot Pro 1. The picture is not
staged. I was lucky to see this guy passing by with the umbrella.
Apparently you need luck to be succesful...
-Ulf Börjesson

photographer©Ulf Börjesson

[Fly the F Blog] - A-Pro-Ad

for sale

For Sale:
Des Res with Scenic Views of London

For Sale:
Des Res with Mod Cons

pictures by ©Darren Hepburn