09 October 2006
08 October 2006
Taking care of the plants
photo: Hans Åström / abekuTalking about family photography: I was lucky having an uncle who was fond of taking pictures. Nothing fancy about his equipment, a Zeiss Contina, a light bulb flash and a Kodak Carousel slide projector, simple and reliable gear. I'm very fond of the casual situations he captured once in a while among all the other traditional birthday and christmas photos. Here's my grandfather taking care of the plants. A photo from the late 50's.
Too emotional?
But isn't the problem to separate your own emotions from the subject? Is this a good photo, I haven't got a clue. It means a lot to me personally, but is this just in my own perspective?
How to know whether 'you succeed in creating a photo that transcends the circumstances of its origin' is difficult when the photo touches your self. On the other hand, if the photo doesn't mean anything to you, how can it be a good photo then?
-C
06 October 2006
05 October 2006
Guest: Kasia 'Kalua' Kryńska

Kasia Kryńska
excellent Polish photographer
04 October 2006
After the gig
Guest: Jan Bernhardtz
K & M
I came across Jans pictures at Fotosidan.se early on, and was very inspired by his work.
Se more at: http://www.fotosidan.se/member/view.htm?ID=20918
Invited by Thomas Håkansson.
03 October 2006
Gunnar Smoliansky - Centralen vårvintern 1956
Photo: Gunnar Smoliansky (published here at the F-blog with his kind permission).
Phone: 08-545 837 00
”Gunnar Smolianskys bilder från Centralen bevarar kontakten med en tid när ordet station hade en starkare laddning än nu. Han hade nyligen kommit hem från Brasilien där han hade varit assistent till fotografen Leon Liebermann. Vårvintern 1956 infann han sig på Stockholms Central med sin Rolleiflex, men utan stativ. Det räckte med att stå rakt uppochned, att måtta på fri hand, att undvika konstiga vinklar. Ett knäpp var allt som behövdes. Tittskåpet befann sig på den ödmjuka höjden, barnets ögonhöjd. Kameran kan annars vara ett fruktansvärt vapen – som ett kikarsikte på ett gevär. Men här fanns en seendets omsorg.” (Hans Henrik Brummer, ur katalogen Centralen vårvintern 1956.)
Vernissage: 7 oktober 2006 kl. 11–17. Utställningen visas i ett av slottets rum och pågår till 7 januari 2007. Gunnar Smoliansky medverkar samtidigt i utställningen Osäkra rum som visas i Galleriet. Med tillhörande skriften Gårdsmusikanten. Prins Eugens Waldemarsudde, Prins Eugens väg 6
Öppet: tis–sön 11–17, tors 11–20. Tel: 08-545 837 00
Guest: Anneli Lundberg
02 October 2006
Korn
Shot outside Korn on the 4th of march (my 30th birthday). Lots of people looking at our photos and I needed to get a little air. I get rather nervous when I see strangers looking at, and talking about, my pictures so I usually need to get away for awhile to calm down.
But a great day it was.
photo: markus andersson
01 October 2006
Guest Micke Berg
Micke Berg has published 20 books with photographs
and held about 100 exhibitions.To me he´s a great
source of inspiration and there´s a prescense in his
work that grabs me. This picture will be shown on an
exhibition at Galleri Kontrast November 14, 2006.
Please have a look at his homepage
Guest: Linn Tenman
30 September 2006
Berenika (invited by abeku)
The quality of Berenikas artwork strucked me instantly when I discovered her huge production of artwork at altphotos.com. Each and everyone of the pictures deserves the viewer's attention.
photo: B Berenika (see actual photo at altphotos.com)
To pick a few examples from her portfolio is a challenge. Overall there's a subtle evolution and various themes are seen. To me, there's a surrealistic landscape in pleasant shades of grey, and just like a Tarkovski movie there are scenes of colour that add to the context.
photo: B Berenika (see actual photo at altphotos.com)
The contemplative mood and silence strikes me when I walk around in her world. There's a strong feeling of being in a observer, watching things on few feet distance. I feel comfortable walking around in her world of mystery.
photo: B Berenika (see actual photo at altphotos.com)
I wish Berenika will compile some of her work at a dedicated site in her name. That would be an oasis to go back in order to find inspiration. Most of Berenikas photographic work is available for sale. To buy a print, please contact her at: abigaill@poczta.fm. Invited by Anders Blomqvist.





























