09 October 2006

The Song of One Evening (Prague)

photo: abeku
_ ' _
A photograph taken when Jaroslav Seifert's poetry was in my head.


Statcounter installed

See how many visitors we have. Statcounter is now installed.

- Abeku

08 October 2006

Taking care of the plants

photo: Hans Åström / abeku


Talking about family photography: I was lucky having an uncle who was fond of taking pictures. Nothing fancy about his equipment, a Zeiss Contina, a light bulb flash and a Kodak Carousel slide projector, simple and reliable gear. I'm very fond of the casual situations he captured once in a while among all the other traditional birthday and christmas photos. Here's my grandfather taking care of the plants. A photo from the late 50's.

Too emotional?

But isn't the problem to separate your own emotions from the subject? Is this a good photo, I haven't got a clue. It means a lot to me personally, but is this just in my own perspective?

How to know whether 'you succeed in creating a photo that transcends the circumstances of its origin' is difficult when the photo touches your self. On the other hand, if the photo doesn't mean anything to you, how can it be a good photo then?

-C

family album




photo: Marcin Górski

05 October 2006

Guest: Kasia 'Kalua' Kryńska




thoughtful, bright, subtle, forcing to think photography of
Kasia Kryńska
excellent Polish photographer


Invited by Marcin Górski

04 October 2006

The landscape of the author

photo: abeku



After the gig

On tour in Canada with the Alberto Pinton Quintet. After the gig, drinking beer, smoking, feeling tired and all those other things you do when youre on tour..

Photo: Mats Äleklint

postcard from prague

In the end, they all looked the same ...


... to him.
Photo: Christian Wettergren

Guest: Jan Bernhardtz

LaVita




























K & M




I came across Jans pictures at Fotosidan.se early on, and was very inspired by his work.

Se more at: http://www.fotosidan.se/member/view.htm?ID=20918

Invited by Thomas Håkansson.

Necessary


Photo: Per-Arne

03 October 2006

Gunnar Smoliansky - Centralen vårvintern 1956

Photo: Gunnar Smoliansky (published here at the F-blog with his kind permission).

This Saturday (Oct. 7), 11 o'clock at Prins Eugens Waldemar's Udde, Stockholm, an exhibition opens up by Gunnar Smoliansky and his photographs from the late winter in 1956. Photographs showing the life at a railway station fifty years ago.
You'll be able to see this exhibition until January 7, 2007. The address is:
Prins Eugens Waldemarsudde
Prins Eugens väg 6
Open: Tue–Sun 11–17, Thur 11–20.
Phone: 08-545 837 00


”Gunnar Smolianskys bilder från Centralen bevarar kontakten med en tid när ordet station hade en starkare laddning än nu. Han hade nyligen kommit hem från Brasilien där han hade varit assistent till fotografen Leon Liebermann. Vårvintern 1956 infann han sig på Stockholms Central med sin Rolleiflex, men utan stativ. Det räckte med att stå rakt uppochned, att måtta på fri hand, att undvika konstiga vinklar. Ett knäpp var allt som behövdes. Tittskåpet befann sig på den ödmjuka höjden, barnets ögonhöjd. Kameran kan annars vara ett fruktansvärt vapen – som ett kikarsikte på ett gevär. Men här fanns en seendets omsorg.” (Hans Henrik Brummer, ur katalogen Centralen vårvintern 1956.)

Vernissage: 7 oktober 2006 kl. 11–17. Utställningen visas i ett av slottets rum och pågår till 7 januari 2007. Gunnar Smoliansky medverkar samtidigt i utställningen Osäkra rum som visas i Galleriet. Med tillhörande skriften Gårdsmusikanten. Prins Eugens Waldemarsudde, Prins Eugens väg 6
Öppet: tis–sön 11–17, tors 11–20. Tel: 08-545 837 00
Invited by Anders Blomqvist.

Guest: Anneli Lundberg



















inthedark



















glowing





















brosarpsbackar





I am very proud to present Anneli Lundbergs work here on the F blogg. I remember admiring her work as a new member at Fotosidan.se and still are.

Se more at: http://www.fotosidan.se/member/view.htm?ID=2796

Invited by Thomas Håkansson.

The advantages of autumn


photo: markus andersson

late postcard from portugal



Just an impression regarding finding the right distance to everything

Photo: Marcin Górski


02 October 2006

Korn

Shot outside Korn on the 4th of march (my 30th birthday). Lots of people looking at our photos and I needed to get a little air. I get rather nervous when I see strangers looking at, and talking about, my pictures so I usually need to get away for awhile to calm down.

But a great day it was.

photo: markus andersson

The Railway - continuation


an add to Christian's photo


Marcin

The Istanbul Connection


Photo: Christian Wettergren

Guest: Paul Boocock


The Darkness of the Future
Photo: Paul Boocock
invited by ulf fågelhammar

01 October 2006

The Railway

Photo: Christian Wettergren

Lost car

photo: abeku

Guest Micke Berg

Micke Berg has published 20 books with photographs
and held about 100 exhibitions.
To me he´s a great
source of inspiration and there´s a prescense in his
work that grabs me.
This picture will be shown on an
exhibition at Galleri Kontrast November 14, 2006.

Please have a look at his homepage

Invited by Mikael Jansson.

Guest: Linn Tenman


"Where is my mind" is one of the most beautiful and fascinating photographs I ever have seen. Therefore, I am honoured to present the picture and its photographer Linn Tenman on the blog. See more of her great work here

Invited by Fredrik Skott.

30 September 2006

Berenika (invited by abeku)

selfportrait
photo: B Berenika (see actual photo at altphotos.com)

The quality of Berenikas artwork strucked me instantly when I discovered her huge production of artwork at altphotos.com. Each and everyone of the pictures deserves the viewer's attention.

photo: B Berenika (see actual photo at altphotos.com)

To pick a few examples from her portfolio is a challenge. Overall there's a subtle evolution and various themes are seen. To me, there's a surrealistic landscape in pleasant shades of grey, and just like a Tarkovski movie there are scenes of colour that add to the context.

photo: B Berenika (see actual photo at altphotos.com)

The contemplative mood and silence strikes me when I walk around in her world. There's a strong feeling of being in a observer, watching things on few feet distance. I feel comfortable walking around in her world of mystery.

photo: B Berenika (see actual photo at altphotos.com)

I wish Berenika will compile some of her work at a dedicated site in her name. That would be an oasis to go back in order to find inspiration. Most of Berenikas photographic work is available for sale. To buy a print, please contact her at: abigaill@poczta.fm. Invited by Anders Blomqvist.

29 September 2006

Guest: Helena Nilsson

The hours of the night are like rubber bands



Sometimes it hurts so bad



Golden locks



All pictures by Helena Nilsson
See more of her great work here

invited by ulf fågelhammar

Istanbul Puppet Maker


Photo: Christian Wettergren